Monday, May 07, 2007

2007: The Year of Watching DVDs, Part XVI

The Mission is dangerous and wrongheaded. I have undertaken to watch all the movies on the Twofifty list, the IMDb top 250 list, and some other lists that must remain secret for now. The prophets say that if I fail my mission, the rivers will run red with the blood of innocent people. We shall see. Thus far, I've watched more movies than you'll ever see but there's still one on two I've missed.

This week: 14 films, plus 20 episodes of a TV series.


Harold and Maude (1971) [IMDb list]
Amusing tale of death-obsessed outsider kid who meets weird old lady. Romance ensues. Influence on Wes Anderson, I believe.


Stalag 17 (1953) (repeat)
Reviewed back in Part VIII, and it's still good. In fact it's getting ever better.


Seppuku / Harakiri (1962) [formerly IMDb list]
Guy shows up at the local feudal lord's to commit "hara-kiri" (yeah, that's the English title of the film). Or maybe he won't. Maybe he'll bring down that goddamn House of Iyi! Those fuckers!! RONIN POWER. Yeah, am I drunk? Yeah, a little. [Note: I'm not drunk now.]


Rear Window (1954) [Twofifty list]
Ingenious. One of Hitch the Bitch's very best, definitely top five. Grace Kelly is one of the best Hitchcock Icy Blondes, or whatever, and Jimbo Stewart is one of the best protagonists, even though he's just a creepy peeping tom. But if he'd only had a television set, maybe this movie wouldn't have happened. And that would have been sad, but not as sad as a drowned kitten.


Per qualche dollaro in più / For a Few Dollars More (1965) [Twofifty list]
Stylish spaghetti western. Unlike Leone's later films, it's even of a reasonable length (a little over two hours). But it still feels a bit overlong, mainly because it loses a lot of steam in the last third. And the dubbing is annoying in places.



Hot Fuzz (2007) [Twofifty list]
Fun cop spoof/homage from the makers of Spaced and Shawn of the Dead. I prefer the first half, that's goofy but grounded in recognizable reality. The second half dives head-first into absurdity. By the way, in one scene a character is reading Iain Banks' Complicity which is a good book that I've been looking for the film adaptation of for awhile. Was that a sentence? Yes it was.


The Virgin Suicides (1999) (repeat)
Sofia Coppola's directing debut. I remember watching this in '99 or 2000 and waiting for some kind of explanation, a "solution" to the big mystery. I was a different person then. Anyway. It's pretty good, but there's little here to anticipate the near-masterpiece that was to follow.


Ikiru (1952) [formerly IMDb list]
Guy who's worked like a mummy for 30 years finds out he's got stomach cancer and six months to live. It's a Kurosawa Klassik, the title means "to live". Not very interesting at first, but really picks up once he meets an insanely charming young girl. And then it stays fine all the way through his death and beyond.



The Lost City (2005)
Andy Garcia directs and stars in something about the Cuban revolution. The film's clearly a labor of love, and it's refreshing that it portrays both Batista and Che Guevara as murderous assholes. But generally it's a pretty bad movie, and an hour too long. You know something is terribly wrong when even Bill Murray's character ("The Writer") is criminally dull. And he doesn't belong in the movie anyway. Dustin Hoffman, who gets second billing, is in exactly two scenes.


Alfred Hitchcock Presents Series 1 (1955) (20 episodes)
I liked these when I was a kid but now I realize they kinda suck. They're all too short to really go anywhere, and for the most part they rely heavily on a plot twist that's fairly obvious. In fact, I think I'll grade each episode according to this index:

The SUPERBLOG!! Alfred Hitchcock Presents Predictability Index
1 = unpredictable
2 = slightly predictable
3 = pretty predictable
4 = very predictable
5 = super-predictable
X = not applicable

1: Woman attacked at home, husband promises revenge. P: 4
2: Guy returns home, everybody gets upset. P: 3
3: Lukewarm Western. P: 3
4: Insurance fraud. May be the stupidest story I've ever heard or seen in my entire life. P: 5
5: The Lady Vanishes revisited. With a twist. P: 1
6: Stupid chick gets a guy killed. Brother gets mad. P: 5
7: Joseph Cotten is paralyzed in car crash and taken for dead. This one relies more on a fantastical premise than a twist ending, and as such is better than most. Unbelievable and frustrating, but at least it's different. P: 2
8: Cooking with arsenic. P: 4
9: Road-trip story, idiotic confession. P: 4
10: Guy fears he's losing his mind or else has an exact double walking around. Mystery with disappointing ending. P: X
11: Shit! This one, about a couple who hear the neighbours fighting, outsmarted me. Wasn't very good, though. P: 2
12: Ex-con is Santa. P: 3
13: Charming badman wants a vase. Mega-stupid ending. P: X (or 2, the "twist" is not very predictable but it doesn't matter)
14: Overworked guy shoots Baldwin. But Baldwin returns! P: 3
15. Chicago gangster wants to kill his ex-girl without getting caught. P: 2
16: John Cassavetes as an escaped convict. The plot twist is clever - but the reason it's only slightly predictable is because they cheat in several scenes! P: 2
17. Turns out Lizzie Borden actually had a heart of gold. Stupid. P: 4
18: Irritating, bitter woman is visited by two angels or whatever. Pointless Ray Bradbury story. No real twist here so P: X.
19: Guy kills guy who made him rich, bum sees it, moves in. No major twist (I've already forgotten it), so P: X
20: Claude Rains is a ventriloquist in another pointless Ray Bradbury story. P: X



Hellboy (2004) (repeat)
Director's cut. Fun adaptation of Mike Mignola's signature comic. The dialog is pretty shitty, but there's a few nice one-liners. Very best line: "What's wrong with you?!" Close second: "It's for you!" It's all in the context.

A note on the DVD edition I watched: The original 3-disc set has been edited down to 2 discs, which means Selma Blair's intro to Disc 2 doesn't match the contents. Most of the original categories have been excised ("Egg Chamber" and "Kroenen's Lair" remain) and/or split up into conventional categories ("Trailers", etc). There are several hours of extras with only Finnish subtitles, which is okay for the English-language stuff, but gets very annoying for the parts that are in Spanish. The man responsible for this travesty, Rasmus Ramstad, is my new nemesis. (Mr Ramstad's incompetence was mentioned in Part VIII as well.)


The Toxic Avenger Part II (1989)
Violent, campy slapstick. Slightly fun to look at for five minutes or so, but it gets too repetitive too fast. I like it when the black guy beats on the homeless with fresh-baked french bread, but that only lasts a few seconds.


His Girl Friday (1940) [IMDb list]
Fast-talking and -yelling Howard Hawks screwball comedy with Cary Grant. Very good.


Shadow of a Doubt (1943) [Twofifty list]
Old, good Hitchcock. It's a film noir. Joseph Cotten is serial killer Charlie, Teresa Wright his unsuspecting, then suspecting, niece Charlie.



Grindhouse (2007) [Twofifty list]
I found it enjoyable enough, but it's insane that it cost over 50 million dollars. Rodriguez' segment, "Planet Terror", is just a stupid zombie film, albeit cooler than most. Which is fine. "Death Proof" is a talky story about a stuntman with a car who meets some chicks. Tarantino's dialogue is really hit-and-miss, but it's still probably the best thing he's done in a decade.
or maybe , I don't know.

Twofifty update: 248 of 250.

Thursday, May 03, 2007

Yeah But No But Yeah But No.



If you are the kind of person who loves or hates or doesn't give a shit about Garfield, you need to read this blog post from Flog and click each and every link. It will expand your mind and torso. (The above strip was plucked from Farfield.)

But wait! There's more:

SUPERBLOG!! Scientific Discovery of the Day: Finally we can dump this stupid planet.

SUPERBLOG!! Breaking News: Michael Keaton is still Batman! He never stopped being Batman! He'll always be Batman!

Tuesday, May 01, 2007

2007: The Year of Watching DVDs, Part XV



THE MISSION is dangerous and foolhardy, some would say insane. You see, I have undertaken to watch all the movies on the Twofifty list, and the IMDb top 250 list, and every other movie in existence. If I fail, the rivers will run red with the blood of innocent people. So I must not fail. Thus far, I've watched a bazillion movies but there's still one on two I've missed.

Novecento / 1900 (1976) [AB list]
Fascists (Donald Sutherland as a killer of cats and kids) versus commies (Gerard Depardieu as a peasant with a big nose) versus rich landowners (Robert De Niro). It's over five hours long, which is a bit much, don't you think? But it's okay. Best moment: Sutherland headbutting a cat as a statement of principle. It was also interesting to see a scene where a hooker (actually, she's an actress) plays with De Niro's and Depardieu's dicks. Synchronicity: The kid who aims a gun at De Niro is called Leonida. The lead actor in MirrorMask is Stephanie Leonidas which I reviewed last week. What ARE the odds? (Three to one at BEST.)


La Strada (1954) [IMDb list]
Carnival strongman Anthony Quinn is slightly mean (not very) towards impish Guilietta Masina. I've never understood what's so great about Fellini. I'll give it three Willises.



The Fortune Cookie (1966)
In contrast, I've always understood what's so great about Billy Wilder. His movies are phun with a capital P. In this here moving picture, Jack Lemmon is slightly injured by an American football player. His brother-in-law, Walter Matthau, convinces him to pretend to me hurt worse so they can sue. I liked it until the end, which was stupid. So turn it off fifteen minutes from the end, and imagine your own ending.



Lung fu fong wan / City on Fire (1987)
I'd heard a lot about the similarities between this and Reservoir Dogs. And sure, Tarantino obviously ripped off half a dozen cool moments (it would be stupid of him to deny it, the fat fucker!), but they're all confined to the last 20 minutes of the original, so the overall feel is quite different. It's even got some actual women (mainly Chow Yun-Fat's fiancée)! And it's got horrible, horrible Eighties-style music, with saxophones and shit. And clichéd excessive police violence and excessive police stupidity. But it's certainly not uninteresting. Synchronicity: It's just a few days since I watched Infernal Affairs, another Hong Kong action movie about an undercover cop that served as the the inspiration for a Hollywood remake. (Andrew Lau, the cinematographer on City on Fire, co-directed Infernal Affairs.)


Boxcar Bertha (1972)
Early Scorsese. It's a Bonnie and Clyde rip-off about a commie, a whore, a coward and a Negro. The title character is as charming as only uneducated country girls can be.


Al Franken: God Spoke (2006)
Unspectacular documentary about Franken's slow transition from opinionated comedian to would-be senator. Okay to watch if you like Franken, which I do.


Wild at Heart (1990) (repeat)
One of David Lynch's coolest (but not best) films. It's a road movie starring Nicolas Cage as Elvis Presley, with touches of The Wizard of Oz. A bit too slow-moving and muddled, but with some exceptional scenes.


Aguirre, der Zorn Gottes (1972) [IMDb list]
Spaniards who speak German searching for El Dorado.



Big Fish (2003) [Twofifty list]
Just lovely. Did you know Michael Keaton was BATMAN in movies directed by Tim Burton? So he can't be all evil.


Walk the Line (2006) [Twofifty list]
Johnny Cash biopic, focusing on his courtship of June Carter and his battle with an unspecified drug addiction (amphetamines). Follows the standard formula for reality-based Hollywood dramas, including touches of mawkishness, but very satisfying in the end (which takes place circa 1968). Phoenix and Witherspoon are great in the leads.


X-Men: The Last Stand (2006)
It's good. Yeah, Brett Ratner is no Bryan Singer, and certainly a much better movie could have been constructed from the same building blocks. And yeah, if you wanted to do The Last X-Men Story (which I guess this basically is, even if it leaves itself open to sequels by two tiny epilogues - the latter of which comes after the end credits) there are more fitting stories to adapt than the Dark Phoenix Saga (like Grant Morrison's "Here Comes Tomorrow" or the semi-classic "Days of Future Past"). But it's entertaining enough, and not overly stupid. I like the X-Men in small doses, and this is just small enough. And I even like X-Men newcomers Kelsey Grammer and Ellen Page (who was great in Hard Candy, reviewed in Part VIII), and Vinnie Jones does what's expected. (Bonus linkage! What Juggernaut's "bitch" line refers to. And here's the Wikipedia entry.) Hey! Why was Olivia Williams uncredited? / Keen-Eyed in Kentucky



Warlock (1989)
Julian Sands and Richard E Grant are a witch and witch-hunter (respectively) who travel to the 1980s in search of a Satanic Bible in what may be the best film to get a rating of less than 6.0 on IMDb. Here's a picture gallery. Sure, the effects are crappy in that Eighties way, and Grant's Scottish dialect is not very convincing, but the plot is excellent and there's never a dull moment. I don't know if I'd recommend watching it entirely sober, though.


Twofifty finally updated so I lost a bunch of films but gained some others. Current standing: 242 out of 250. We'll get there, don't worry.